Ø Mimesis 模仿
Mimesis (/maɪˈmiːsəs/; Ancient
Greek: μίμησις (mīmēsis), from μιμεῖσθαι (mīmeisthai), "to
imitate," from μῖμος (mimos), "imitator, actor")
is a
critical and philosophical term that carries a wide range of
meanings, which include imitation, representation, mimicry, imitatio, receptivity, nonsensuous similarity, the act of resembling, the act of expression, and the
presentation of the self.
One
of the best-known modern studies of mimesis, understood as a form of realism in literature, is Erich Auerbach's
Mimesis: The Representation of Reality in Western Literature, which opens with a famous comparison between the way the world is
represented in Homer's Odyssey
and the way it appears in the
Bible. In art history, "mimesis",
"realism" and "naturalism" are used, often
interchangeably, as terms for the accurate, even "illusionistic", representation of the visual appearance
of things.
Ø Catharsis 洗滌,淨化
Catharsis (from Greek κάθαρσις
katharsis meaning "purification"
or "cleansing") is the purification
and purgation of emotions—especially pity and fear—through art or any extreme change in
emotion that results in renewal and restoration. It is a metaphor originally used by Aristotle in the Poetics,
comparing the effects of tragedy on the mind of spectator to the effect of a
cathartic on the body.
Ø Hamartia (判斷錯誤 悲劇性弱點)
The term hamartia derives from the
Greek ἁμαρτία,
from ἁμαρτάνειν hamartánein, which means "to miss the mark"
or "to err". It is most often associated with Greek tragedy,
although it is also used in Christian theology. Hamartia as it pertains to
dramatic literature was first used by Aristotle in his Poetics. In
tragedy, hamartia is commonly
understood to refer to
the protagonist’s error or flaw that leads to a chain of plot actions culminating in a reversal from
their good fortune to bad. What qualifies as the error or flaw can
include an error resulting from
ignorance, an error of judgement, a flaw in character, or sin. The spectrum
of meanings has invited debate among critics and scholars, and different
interpretations among dramatists.
Ø Harper Lee
Nelle
Harper Lee (April 28, 1926 – February 19, 2016), better known by her pen name Harper Lee, was an American novelist
widely known for To Kill a Mockingbird,
published in 1960. Immediately successful, it won the 1961 Pulitzer Prize and
has become a classic of
modern American literature. Though Lee had only published this single
book, in 2007 she was awarded the Presidential Medal of Freedom for her
contribution to literature. Additionally, Lee received numerous honorary
degrees, though she declined to speak on those occasions.
The
plot and characters of To Kill a Mockingbird are loosely based on Lee's observations of her family and
neighbors, as well as an
event that occurred near her hometown in 1936, when she was 10 years
old. The novel deals with the irrationality of adult attitudes
towards race and class in the Deep South of the 1930s, as depicted
through the eyes of two children. The novel was inspired by racist attitudes in
her hometown of Monroeville, Alabama.
Ø To Kill Mockingbird
To Kill a Mockingbird is a novel by Harper Lee published in 1960. It was
immediately successful, winning the Pulitzer Prize, and has become a classic of
modern American literature. The plot and characters are loosely based on the author's
observations of her family and neighbors, as well as on an event that occurred
near her hometown in 1936, when she was 10 years old.
The
novel is renowned for its warmth and humor, despite
dealing with the serious issues of rape and racial inequality.
The narrator's father, Atticus Finch, has served as a moral hero for many
readers and as a model of integrity for lawyers. One critic explains the
novel's impact by writing, "In the twentieth century, To Kill a
Mockingbird is probably the most widely read book dealing with race in America,
and its protagonist, Atticus Finch, the most enduring fictional image of
racial heroism."
Ø Thomas hardy

Most
of his fictional works – initially published
as serials in magazines – were set in the semi-fictional
region of Wessex. They explored tragic characters struggling against
their passions and social circumstances. Hardy's Wessex is based on the
medieval Anglo-Saxon kingdom and eventually came to include the counties of
Dorset, Wiltshire, Somerset, Devon, Hampshire and much of Berkshire, in
southwest and south central England.
Ø Humanities
Humanities are academic disciplines
that study human culture. In the Middle Ages, the
term contrasted with divinity and referred to what is now called classics, the main area of secular study in universities at
the time. Today, the
humanities are more frequently contrasted with natural, physical and
sometimes social sciences as well as professional training.
The
humanities use methods that are primarily critical, or speculative, and have a significant historical element—as
distinguished from the mainly empirical approaches of the natural sciences. The
humanities include ancient and modern languages, literature, philosophy,
art and musicology.
Scholars
in the humanities are "humanity scholars" or humanists.
The term "humanist"
also describes the philosophical position of humanism, which some
"antihumanist" scholars in the humanities refuse. The Renaissance scholars and artists were also called
humanists. Some secondary schools offer humanities classes, usually consisting
of English literature, global studies and art.
Ø Lunatic (a.)
Lunatic is an informal term referring to a person who is considered mentally ill,
dangerous,
foolish
or unpredictable,
conditions once attributed to lunacy. The term may be considered
insulting in serious contexts in modern times, but is now more likely to be
used in friendly jest. The word derives from lunaticus meaning "of the moon" or "moonstruck".
The term was once commonly used in law
Ø A Midsummer Night's Dream
A Midsummer Night's Dream
is a comedy written by William Shakespeare
sometime between 1590 and 1597. It portrays the events surrounding
the marriage of Theseus, the Duke of Athens, to Hippolyta. These
include the adventures of four young Athenian lovers and a group of six
amateur actors (the mechanicals) who are controlled and manipulated by the fairies who
inhabit the forest in which most of the play is set. The play is one of
Shakespeare's most popular works for the stage and is widely performed across
the world.
Ø Measure for measure
Measure for Measure is a play by William Shakespeare, believed to have been
written in 1603 or 1604. Originally published in the First Folio of 1623, where
it was listed as a comedy,
the play's first recorded performance occurred in 1604. The play's main themes
include justice, "mortality
and mercy in Vienna," and the dichotomy between corruption and
purity: "some rise by
sin, and some by virtue fall." Mercy and virtue predominate, since
the play does not end tragically.
Measure
for Measure is often called one of Shakespeare's problem plays. It was, and continues to be, classified as comedy,
though its tone and setting defy those expectations.
Ø Cust Away
Cast Away is a 2000 American epic
survival drama film directed and produced by Robert Zemeckis and
starring Tom Hanks, Helen Hunt, and Nick Searcy. The
film depicts a FedEx
employee stranded on an uninhabited island after his plane crashes in
the South Pacific and his Robinsonade attempts to survive on the island using remnants of his plane's cargo.
Ø Vocabulary


l Image: an
opinion that people have about someone or something, which may not be a true
one
² image
of: We
have an image of the US as a very rich country.
l Imagination:
the ability to think of clever and original ideas, possibilities, or solutions
² have
the imagination to do something: They didn’t have the imagination to deal with such complex
problems.
² use
your imagination: Try to use your imagination
when planning main meals.
² lack
of imagination: The speaker’s visual aids showed a
remarkable lack
of imagination.
l Imaginative: involving the use of
your imagination
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