English Children's Literature week6

• To Helen

  

"To Helen" is the first of two poems to carry that name written by Edgar Allan Poe. The 15-line poem was written in honor of Jane Stanard, the mother of a childhood friend. It was first published in 1831 collection Poems of Edgar A. Poe. It was then reprinted in 1836 in the Southern Literary Messenger.

Full poem

Original 1831 version Helen, thy beauty is to me     Like those Nicean barks of yore, That gently, o'er a perfum'd sea,     The weary way-worn wanderer bore     To his own native shore. On desperate seas long wont to roam,     Thy hyacinth hair, thy classic face, Thy Naiad airs have brought me home     To the beauty of fair Greece, And the grandeur of old Rome. Lo ! in that little window-niche     How statue-like I see thee stand!     The folded scroll within thy hand — A Psyche from the regions which     Are Holy land ! Revised 1845 version Helen, thy beauty is to me Like those Nicean barks of yore That gently, o'er a perfumed sea, The weary, way-worn wanderer bore To his own native shore. On desperate seas long wont to roam, Thy hyacinth hair, thy classic face, Thy Naiad airs have brought me home To the glory that was Greece, And the grandeur that was Rome. Lo, in yon brilliant window-niche How statue-like I see thee stand, The agate lamp within thy hand, Ah! Psyche, from the regions which Are Holy Land!

Analysis

In "To Helen," Poe is celebrating the nurturing power of woman. Poe was inspired in part by Samuel Taylor Coleridge, particularly in the second line ("Like those Nicean barks of yore") which resembles a line in Coleridge's "Youth and Age" Poe revised the poem in 1845, making several improvements, most notably changing "the beauty of fair Greece, and the grandeur of old Rome" to "the glory that was Greece and the grandeur that was Rome." Poe biographer Jeffrey Meyers referred to these as "two of Poe's finest and most famous lines".

• Samuel Taylor Coleridge was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. His critical work, especially on Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. Coleridge coined many familiar words and phrases, including suspension of disbelief. He was a major influence on Emerson and American transcendentalism. Throughout his adult life Coleridge had crippling bouts of anxiety and depression; it has been speculated that he had bipolar disorder, which had not been defined during his lifetime. He was physically unhealthy, which may have stemmed from a bout of rheumatic fever and other childhood illnesses. He was treated for these conditions with laudanum, which fostered a lifelong opium addiction.

• Edgar Allan Poe

  

Edgar Allan Poe was an American writer, editor, and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is widely regarded as a central figure of Romanticism in the United States and American literature as a whole, and he was one of the country's earliest practitioners of the short story. Poe is generally considered the inventor of the detective fiction genre and is further credited with contributing to the emerging genre of science fiction. He was the first well-known American writer to try to earn a living through writing alone, resulting in a financially difficult life and career.

Poe and his works influenced literature in the United States and around the world, as well as in specialized fields such as cosmology and cryptography. Poe and his work appear throughout popular culture in literature, music, films, and television. A number of his homes are dedicated museums today. The Mystery Writers of America present an annual award known as the Edgar Award for distinguished work in the mystery genre.

• Nathaniel Hawthorne

  

Much of Hawthorne's writing centers on New England, many works featuring moral allegories with a Puritan inspiration. His fiction works are considered part of the Romantic Movement and, more specifically, Dark romanticism. His themes often center on the inherent evil and sin of humanity, and his works often have moral messages and deep psychological complexity. His published works include novels, short stories, and a biography of his college friend Franklin Pierce.

Writings

Literary style and themes Hawthorne's works belong to romanticism or, more specifically, dark romanticism, cautionary tales that suggest that guilt, sin, and evil are the most inherent natural qualities of humanity.] Many of his works are inspired by Puritan New England, combining historical romance loaded with symbolism and deep psychological themes, bordering on surrealism. His depictions of the past are a version of historical fiction used only as a vehicle to express common themes of ancestral sin, guilt and retribution. His later writings also reflect his negative view of the Transcendentalism movement. Criticism The style of Hawthorne is purity itself. His tone is singularly effective—wild, plaintive, thoughtful, and in full accordance with his themes ... We look upon him as one of the few men of indisputable genius to whom our country has as yet given birth.

• The scarlet letter

  

The Scarlet Letter: A Romance is an 1850 work of fiction in a historical setting, written by American author Nathaniel Hawthorne. The book is considered to be his "masterwork". Set in 17th-century Puritan Boston, Massachusetts, during the years 1642 to 1649, it tells the story of Hester Prynne, who conceives a daughter through an affair and struggles to create a new life of repentance and dignity. Throughout the book, Hawthorne explores themes of legalism, sin, and guilt.

Theme

Elmer Kennedy-Andrews remarks that Hawthorne in "The Custom-house" sets the context for his story and "tells us about 'romance', which is his preferred generic term to describe The Scarlet Letter, as his subtitle for the book – 'A Romance' – would indicate." In this introduction, Hawthorne describes a space between materialism and "dreaminess" that he calls "a neutral territory, somewhere between the real world and fairy-land, where the Actual and the Imaginary may meet, and each imbues itself with nature of the other". This combination of "dreaminess" and realism gave the author space to explore major themes.

Allusions

Anne Hutchinson, The Prison Door, was a religious dissenter. In the 1630s she was excommunicated by the Puritans and exiled from Boston and moved to Rhode Island.[ Ann Hibbins, who historically was executed for witchcraft in Boston in 1656, is depicted in The Scarlet Letter as a witch who tries to tempt Prynne to the practice of witchcraft. Richard Bellingham, who historically was the governor of Massachusetts and deputy governor at the time of Hibbins's execution, was depicted in The Scarlet Letter as the brother of Ann Hibbins. Martin Luther (1483–1545) was a leader of the Protestant Reformation in Germany. Sir Thomas Overbury and Dr. Forman were the subjects of an adultery scandal in 1615 in England. Dr. Forman was charged with trying to poison his adulterous wife and her lover. Overbury was a friend of the lover and was perhaps poisoned. John Eliot (c. 1604–1690) was a Puritan missionary to the American Indians whom some called “the apostle to the Indians." He is referred to as "the Apostle Eliot" at the beginning of Chapter 16, A Forest Walk, whom Dimmesdale has gone to visit.

Onomatopoeia

1. The formation of a word, as cuckoo, meow, honk, or boom, by imitation of a sound made by or associated with its referent. 2. A word so formed. 3. The use of imitative and naturally suggestive words for rhetorical, dramatic, or poetic effect.

Tyger
Tyger	"The Tyger" is a poem by the English poet William Blake published in 1794 as part of the Songs of Experience collection. Literary critic Alfred Kazin calls it "the most famous of his poems," and The Cambridge Companion to William Blake says it is "the most anthologized poem in English." It is one of Blake's most reinterpreted and arranged works.
Background	The Songs of Experience was published in 1794 as a follow up to Blake's 1789 Songs of Innocence. The two books were published together under the merged title Songs of Innocence and Experience, showing the Two Contrary States of the Human Soul: the author and printer, W. Blake featuring 54 plates. The illustrations are arranged differently in some copies, while a number of poems were moved from Songs of Innocence to Songs of Experience. Blake continued to print the work throughout his life. Of the copies of the original collection, only 28 published during his life are known to exist, with an additional 16 published posthumously. Only 5 of the poems from Songs of Experience appeared individually before 1839.[
Poem	Tyger Tyger, burning bright, In the forests of the night; What immortal hand or eye, Could frame thy fearful symmetry? In what distant deeps or skies. Burnt the fire of thine eyes? On what wings dare he aspire? What the hand, dare seize the fire? And what shoulder, & what art, Could twist the sinews of thy heart? And when thy heart began to beat, What dread hand? & what dread feet? What the hammer? what the chain, In what furnace was thy brain? What the anvil? what dread grasp, Dare its deadly terrors clasp! When the stars threw down their spears And water'd heaven with their tears: Did he smile his work to see? Did he who made the Lamb make thee? Tyger Tyger burning bright, In the forests of the night: What immortal hand or eye, Dare frame thy fearful symmetry?

• William Blake

  

William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age. His prophetic works have been said to form "what is in proportion to its merits the least read body of poetry in the English language". His visual artistry led one contemporary art critic to proclaim him "far and away the greatest artist Britain has ever produced".

Although Blake was considered mad by contemporaries for his idiosyncratic views, he is held in high regard by later critics for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work. His paintings and poetry have been characterised as part of the Romantic Movement and as "Pre-Romantic". Reverent of the Bible but hostile to the Church of England, Blake was influenced by the ideals and ambitions of the French and American Revolutions. Though later he rejected many of these political beliefs, he maintained an amiable relationship with the political activist Thomas Paine; he was also influenced by thinkers such as Emanuel Swedenborg. Despite these known influences, the singularity of Blake's work makes him difficult to classify. The 19th-century scholar William Rossetti characterised him as a "glorious luminary",and "a man not forestalled by predecessors, nor to be classed with contemporaries, nor to be replaced by known or readily surmisable successors".

 

John Donne	John Donne (22 January 1573[1] – 31 March 1631)[2] was an English poet and cleric in the Church of England. He is considered the pre-eminent representative of the metaphysical poets. His works are noted for their strong, sensual style and include sonnets, love poems, religious poems, Latin translations, epigrams, elegies, songs, satires and sermons. His poetry is noted for its vibrancy of language and inventiveness of metaphor, especially compared to that of his contemporaries. Donne's style is characterised by abrupt openings and various paradoxes, ironies and dislocations. These features, along with his frequent dramatic or everyday speech rhythms, his tense syntax and his tough eloquence, were both a reaction against the smoothness of conventional Elizabethan poetry and an adaptation into English of European baroque and mannerist techniques. His early career was marked by poetry that bore immense knowledge of English society and he met that knowledge with sharp criticism. Another important theme in Donne's poetry is the idea of true religion, something that he spent much time considering and about which he often theorized. He wrote secular poems as well as erotic and love poems. He is particularly famous for his mastery of metaphysical conceits. Despite his great education and poetic talents, Donne lived in poverty for several years, relying heavily on wealthy friends. He spent much of the money he inherited during and after his education on womanising, literature, pastimes, and travel. In 1601, Donne secretly married Anne More, with whom he had twelve children.[4] In 1615, he became an Anglican priest, although he did not want to take Anglican orders.
Holy Sonnets: Death, be not proud	Death, be not proud, though some have called thee Mighty and dreadful, for thou art not so; For those whom thou think'st thou dost overthrow Die not, poor Death, nor yet canst thou kill me. From rest and sleep, which but thy pictures be, Much pleasure; then from thee much more must flow, And soonest our best men with thee do go, Rest of their bones, and soul's delivery. Thou art slave to fate, chance, kings, and desperate men, And dost with poison, war, and sickness dwell, And poppy or charms can make us sleep as well And better than thy stroke; why swell'st thou then? One short sleep past, we wake eternally And death shall be no more; Death, thou shalt die.
Wit (心靈病房)	The film is about an anti-cancer female warrior, how to learn from their cancer start to face the reflection of life, and experience the true meaning of life, all the way to come hard, experience many pains, the last brave death

Valediction forbidding mourning

"A Valediction: Forbidding Mourning" is a metaphysical poem by John Donne. Written in 1611 or 1612 for his wife Anne before he left on a trip to Continental Europe, "A Valediction" is a 36-line love poem that was first published in the 1633 collection Songs and Sonnets, two years after Donne's death. Based on the theme of two lovers about to part for an extended time, the poem is notable for its use of conceits and ingenious analogies to describe the couple's relationship; critics have thematically linked it to several of his other works, including "A Valediction: of my Name, in the Window", Meditation III from the Holy Sonnets.

AS virtuous men pass mildly away,      And whisper to their souls to go,  Whilst some of their sad friends do say,     "Now his breath goes," and some say, "No." [1]                     So let us melt, and make no noise,                                       5     No tear-floods, nor sigh-tempests move ; 'Twere profanation of our joys      To tell the laity our love.  Moving of th' earth brings harms and fears ;     Men reckon what it did, and meant ;                              10 But trepidation of the spheres,      Though greater far, is innocent.  Dull sublunary lovers' love      —Whose soul is sense—cannot admit  Of absence, 'cause it doth remove                                     15     The thing which elemented it.  But we by a love so much refined,     That ourselves know not what it is,  Inter-assurèd of the mind,      Care less, eyes, lips and hands to miss.                           20 Our two souls therefore, which are one,      Though I must go, endure not yet  A breach, but an expansion,      Like gold to aery thinness beat.  If they be two, they are two so                                          25     As stiff twin compasses are two ;  Thy soul, the fix'd foot, makes no show      To move, but doth, if th' other do.  And though it in the centre sit,      Yet, when the other far doth roam,                                30 It leans, and hearkens after it,      And grows erect, as that comes home.  Such wilt thou be to me, who must,     Like th' other foot, obliquely run ; Thy firmness makes my circle just,                                    35     And makes me end where I begun.

The flea

The Flea is an erotic metaphysical poem (first published posthumously in 1633) by John Donne (1572–1631). The exact date of its composition is unknown. The poem uses the conceit of a flea, which has sucked blood from the male speaker and his female lover, to serve as an extended metaphr for the relationship between them. The speaker tries to convince a lady to sleep with him, arguing that if their blood mingling in the flea is innocent, then sexual mingling would also be innocent. His argument hinges on the belief that blood mixes during sexual intercourse. This poem evokes the concept of carpe diem, which is "seize the day" in Latin. Donne encourages the lady to focus on the present day and time versus saving herself for the afterlife.

MARK but this flea, and mark in this, How little that which thou deniest me is ; It suck'd me first, and now sucks thee, And in this flea our two bloods mingled be. Thou know'st that this cannot be said A sin, nor shame, nor loss of maidenhead ;     Yet this enjoys before it woo,     And pamper'd swells with one blood made of two ;     And this, alas ! is more than we would do. O stay, three lives in one flea spare, Where we almost, yea, more than married are. This flea is you and I, and this Our marriage bed, and marriage temple is. Though parents grudge, and you, we're met, And cloister'd in these living walls of jet.     Though use make you apt to kill me,     Let not to that self-murder added be,     And sacrilege, three sins in killing three. Cruel and sudden, hast thou since Purpled thy nail in blood of innocence? Wherein could this flea guilty be, Except in that drop which it suck'd from thee? Yet thou triumph'st, and say'st that thou Find'st not thyself nor me the weaker now. 'Tis true ; then learn how false fears be ; Just so much honour, when thou yield'st to me, Will waste, as this flea's death took life from thee.

No man is an island

No Man is an Island No man is an island, entire of itself every man is a piece of the continent, a part of the main if a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friends or of thine own were any man's death diminishes me, because I am involved in mankind and therefore never send to know for whom the bell tolls it tolls for thee. -- John Donne

Divine Comedy

The Divine Comedy is a poem by Dante Alighieri, begun c. 1308 and completed 1320, a year before his death in 1321. It is widely considered the preeminent work of Italian literature and is seen as one of the greatest works of world literature. The poem's imaginative vision of the afterlife is representative of the medieval world-view as it had developed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso.

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