Ø Deus
ex machina (god from the machine)
Deus
ex machina is a Latin calque from Greek, meaning "god
from the machine".The
term has evolved to mean a plot device
whereby a seemingly unsolvable
problem is suddenly and
abruptly resolved by the contrived and unexpected
intervention of some new event, character, ability or object. Depending
on how it is done, it can be intended to move the story forward when the writer
has "painted himself into a corner" and sees no other way out,
to surprise the audience, to bring
the tale to a happy ending, or as a comedic device.
Aristotle was the first to use deus ex machina as a
term to describe the technique as a device to resolve the plot of tragedies. It is generally deemed undesirable in writing and
often implies a lack of creativity on the part of the author. The reasons for
this are that it does not pay due regard to the story's internal logic
(although it is sometimes deliberately used to do this) and is often so
unlikely that it challenges suspension of disbelief, allowing the author to
conclude the story with an unlikely, though perhaps more palatable, ending.
- MY EXPLANATION
→ a plot device → whereby a seemingly unsolvable problem is suddenly solve and bring to the end (一個從天而降的機器,在劇末時,以神明顯現的方式,去結束整齣劇)
- Drama plot
Ø Argonauts
The
Argonauts were a band of heroes in Greek mythology, who in the years before the
Trojan War, accompanied Jason to Colchis in his quest to find the Golden Fleece. Their name comes from their ship, Argo, named after its builder, Argus. "Argonauts"
literally means "Argo sailors". They were sometimes called Minyans,
after a prehistoric tribe in the area.
- Story
After
the death of King Cretheus, the Aeolian Pelias usurped the Iolcan throne from
his half-brother Aeson and became king of Iolcus in Thessaly. Because of this
unlawful act, an oracle warned him that a descendant of Aeolus would seek
revenge. Pelias put to death every prominent descendant of Aeolus he could, but
spared Aeson because of the pleas of their mother Tyro. Instead, Pelias kept
Aeson prisoner and forced him to renounce his inheritance. Aeson married
Alcimede, who bore him a son named Jason. Pelias intended to kill the baby at
once, but Alcimede summoned her kinswomen to weep over him as if he were
stillborn. She faked a burial and smuggled the baby to Mount Pelion. He was
raised by the centaur Chiron, the trainer of heroes.
When
Jason was 20 years old, an oracle ordered him to dress as a Magnesian and head
to the Iolcan court. While traveling Jason lost his sandal crossing the muddy
Anavros river while helping an old woman (Hera in disguise). The goddess was
angry with King Pelias for killing his stepmother Sidero after she had sought
refuge in Hera's temple.
Another
oracle warned Pelias to be on his guard against a man with one shoe. Pelias was
presiding over a sacrifice to Poseidon with several neighboring kings in
attendance. Among the crowd stood a tall youth in leopard skin with only one
sandal. Pelias recognized that Jason was his nephew. He could not kill him
because prominent kings of the Aeolian family were present. Instead, he asked
Jason: "What would you do if an oracle announced that one of your
fellow-citizens were destined to kill you?" Jason replied that he would
send him to go and fetch the Golden Fleece, not
knowing that Hera had put those words in his mouth.
Jason
learned later that Pelias was being haunted by the ghost of Phrixus. Phrixus
had fled from Orchomenus riding on a divine ram to avoid being sacrificed and
took refuge in Colchis where he was later denied proper burial. According to an
oracle, Iolcus would never prosper unless his ghost was taken back in a ship,
together with the golden ram's fleece. This fleece now hung from a tree in the
grove of the Colchian Ares, guarded night and day by a dragon that never slept.
Pelias swore before Zeus that he would give up the throne at Jason's return
while expecting that Jason's attempt to steal the Golden Fleece would be a
fatal enterprise. However, Hera acted in Jason's favour during the perilous
journey.
- Argo (film) (亞果出任務)
Ø Medea
(play)

Considered shocking to his contemporaries, Medea
and the suite of plays that it accompanied in the City Dionysia festival
came last in the festival that year. Nonetheless the play remained part of
the tragedic repertoire, and experienced renewed interest with the emergence of
the feminist movement, because of its nuanced and sympathetic portrayal of
Medea's struggle to take charge of her own life in a male-dominated world. The
play has remained the most frequently performed Greek tragedy through the 20th
century.
Ø Golden
Fleece

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