Ø How to take great note
l First:Not write the fact, write the conclusion
l Second:Evidence(example. Plot)
l Third:use Color pen
l Fourth:Teach your friend
Ø Aristophanes (喜劇作家)
A comic playwright
of ancient Athens.
Eleven of his thirty plays survive virtually complete. These, together with
fragments of some of his other plays, provide the only real examples of a genre
of comic drama known as Old Comedy, and they are used to define the genre. Also
known as the Father of Comedy and the
Prince of Ancient Comedy, Aristophanes has
been said to recreate the life of ancient Athens more convincingly than any
other author. His powers of ridicule were feared and acknowledged by influential
contemporaries; Plato singled out Aristophanes' play The Clouds as slander that
contributed to the trial and subsequent condemning to death of Socrates although
other satirical playwrights had also caricatured the philosopher.
- 背景:伯羅奔尼薩戰爭
Ø Lysistrata
Lysistrata is a comedy by
Aristophanes. It is a
comic account of one woman's extraordinary mission to
end the Peloponnesian War. Lysistrata persuades the women of Greece
to withhold sexual privileges from their husbands and lovers as a means
of forcing the men to negotiate peace—a strategy, however, that inflames the battle between the sexes. The play is notable for
being an early exposé of sexual relations in a male-dominated society.
Additionally, its dramatic structure represents a shift from the conventions of
Old Comedy, a trend typical of the author's career.
- woman use money and sex into peace
Ø 希臘三哲人
l Socrates → Plato →
Aristotle

Socrates was a
classical Greek (Athenian) philosopher credited as one of the founders of
Western philosophy.
He is an enigmatic figure known chiefly through the accounts of classical
writers, especially the writings of his students Plato and Xenophon and the plays of his contemporary Aristophanes. Plato's dialogues are among the
most comprehensive accounts of Socrates to survive from antiquity, though it is
unclear the degree to which Socrates himself is "hidden behind his 'best disciple', Plato".
Through his portrayal in Plato's dialogues, Socrates has become renowned for his contribution to
the field of ethics, and it is this Platonic Socrates who lends his
name to the concepts of Socratic irony and the Socratic method, or elenchus.
The latter remains a commonly used tool in a wide range of discussions, and is
a type of pedagogy in which a series of questions is asked not only to
draw individual answers, but also to encourage fundamental insight into the
issue at hand. Plato's Socrates also made important and lasting contributions
to the field of epistemology, and his ideologies and approach have proven a
strong foundation for much Western philosophy that has followed.




Ø The Poetics (Aristotle)
Aristotle's
Poetics is the earliest surviving work of dramatic theory
and the first extant philosophical treatise to focus on literary theory.
In
it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally
means "making" and in this context includes drama—comedy, tragedy,
and the satyr play—as well as lyric poetry and epic poetry). They are similar
in the fact that they are all imitations but different in the three ways that
Aristotle describes:
1.Differences
in music rhythm, harmony, meter and melody.
2.Difference
of goodness in the characters.
3.Difference in how the narrative
is presented: telling a story or acting it out
Ø Catharsis (pity&fear)
Catharsis (from Greek meaning "purification"
or "cleansing")
is the purification and purgation of emotions—especially pity and fear—through
art or any extreme change in emotion that results in renewal and restoration.
It is a metaphor originally used by
Aristotle in the Poetics, comparing the effects of tragedy on the mind of spectator to the effect of a cathartic on
the body.
Ø Mimesis:imitation
Mimesis
"to imitate,"
from μῖμος (mimos), "imitator, actor" is a critical and philosophical
term that carries a wide range of meanings, which include imitation,
representation, mimicry, imitatio, receptivity, nonsensuous similarity, the act
of resembling, the act of expression, and the presentation of the self.
In ancient Greece, mimesis was an idea that
governed the creation of works of art,
in particular, with correspondence to the physical world understood as a model
for beauty, truth, and the good. Plato contrasted mimesis, or imitation,
with diegesis, or narrative. After Plato, the meaning of mimesis eventually
shifted toward a specifically literary function in ancient Greek society, and
its use has changed and been reinterpreted many times since then.
- 三一律 :action / place / time
Ø Hubris (→ Agamemnon)
Hubris
(also hybris, from ancient Greek) means, in a modern context, extreme pride or self-confidence; in its ancient Greek context, it
typically describes violent and excessive behavior rather than an attitude.
When it offends the gods of ancient Greece, it is usually punished. The
adjectival form of the noun hubris is "hubristic".
Hubris is usually perceived as a
characteristic of an individual rather than a group, although the
group the offender belongs to may suffer consequences from the wrongful act. Hubris often indicates a loss of contact
with reality and an overestimation of one's own competence, accomplishments or
capabilities, especially when the person exhibiting it is in a position of
power.
Ø Omniscient (全知觀點)
↑ ↑
(all) (know)
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